Sawney: Flesh Of Man
"...about which time a certain thief who lived privately in a den, with his wife and children, were all burned alive, they having made it their practice for many years to kill young people and eat them; one girl only of a year old was saved, and brought up at Dundee, who at twelve years of age being found guilty of the same horrid crime, was condemned to the same punishment, and when the people followed her in great multitudes to execution, wondering at her unnatural villainy, she turned toward them, and with a cruel countenance said, "What do you thus rail at me, as if I had done such an heinous act, contrary to the nature of man? I tell you that if you did but know how pleasant the taste of man's flesh was, none of you all would forbear to eat it;" and thus with an impenitent and stubborn mind she suffered deserved death".
Sawney: Flesh of Man
Better to Die than Be Killed: A woman Sawney kept as a Sex Slave throws herself off a cliff when her escape attempt fails.
Big Bad: Mother Bean, a ravenous loon whose children commit cannibalism just to sate her.
Big Bad Friend: Hamish's Friend on the Force turns out to be one of the Beans.
Brain Food: One of Sawney's favourite dishes is brain soup.
Cannibal Clan: The main antagonists are a clan of Scottish man-eaters motivated by a literalist interpretation of Christian communion rites.
Cop Killer: Sawney makes a beat cop one of his victims for giving him a parking ticket.
Decapitation Presentation: Sawney offers Hamish some soup made from his girlfriend's head.
Disc-One Final Boss: It seems like Sawney is the head of the cannibalism operation, but it turns out he's just managing it to sate his ravenous mother, who kills him and becomes the True Final Boss after escaping her basement.
Downer Ending: Hamish manages to put down the Beans and escape in their taxi, only for the mother of the family to survive and attack him as the film ends.
The Fundamentalist: Sawney believes the Bible verses about the flesh of man are a call to cannibalism, and acts accordingly.
Intrepid Reporter: Hamish starts digging into the murders when his friend Charlotte is killed, desperately trying to bring attention to them. After the police prove useless, he starts investigating the atrocities himself.
Kick the Dog: Sawney sexually assaulting one of his victims, promising to make her his Sex Slave if he enjoys it and kill her if he doesn't.
Madwoman in the Attic: It turns out the Beans partake in cannibalism to sate their ravenous mother, who is locked in a metal room. The climax has her breaking out and killing Sawney.
Monster Misogyny: Sawney flat states he finds women tastier than men.
Not My Driver: Sawney hunts for victims in a taxicab. This one is more believable than most, as he's not seeking a specific target.
Police Are Useless: The police are more interested in stopping Hamish from exposing the killings than they are in stopping them. As it turns out, this is because the most prominent cop in the movie is in on the cannibalism.
Predecessor Villain: The original Sawney Bean clan was slaughtered by the Crown 500 years earlier. The current one is borne of their Sole Survivor.
Villain Opening Scene: Sawney leading a dude into his cave and blasting him with a shotgun.
The legend of Sawney Bean, and his cannibalistic family has been told for hundreds of years in his native Scotland, and the idea has been utilised numerous times in popular fiction. Wes Craven's The Hills Have Eyes (1977) and Tobe Hooper's The Texas Chain Saw Massacre series drew influence in one form or another. This low budget effort is the first feature from director Ricky Wood, and - for the most part - delivers the goods.Set in modern day Scotland, a world weary detective (Gavin Mitchell) and a young, alcoholic, reporter Hamish (Samuel Feeney) are both trying to piece together a series of murders where the only remains that turn up of the victims are the head and feet. The perpetrator, Sawney Bean (David Hayman) abducts his victims in his black cab and takes them to his family lair, a dank cave, a place of freaks, chainsaws, chickens and offal. It doesn't matter what gender you are, all that matters to Sawney is how you taste. His family don't mind either, and the hors d'oeuvres for his youngsters often include rape. Again, gender is irrelevant.Taking the Bible quote "unless you eat the flesh of the son of man and drink his blood, you have no life in yourselves" too literally, Sawney is a perfect bogey man. Other than his odd eye, and perpetual blood stained fingers you would pass him in the street. The family are all hooded , athletic (they inexplicably can't resist doing back-flips, even when fighting among themselves) mutant looking inbreds scurry about the cave while awaiting Sawney, who brings home the bacon. Or in this case, human for them and mother. Who they keep locked away.Surprisingly well made, and unrelentingly visceral; the gore effects especially are well above par for a film of this budget. It doesn't shy away from throwing all manor of flesh and bones at the viewer, even when they have been ground to a slurry by the titular cannibal. The use of locations, and lack of out of place humour build the tension and atmosphere, the caves especially adding some great, claustrophobic scares. The cinematography (by the director's brother Ranald; father Rick wrote the script) certainly pays dividends on that level.If there's anything that lets it down, it's possibly the Feeney's acting is not as accomplished as the more veteran talent of Hayman and Mitchell; but it's not so bad as to throw you completely out of the film.It will certainly be interesting to see what Wood comes up with next. Hopefully this will do well enough to merit a bigger budget for his future films.(note: the film has been re-titled Lord of Darkness for US audiences)7 out of 10Labels: 2012, cannibal, david hayman, eating flesh, extreme gore, gavin mitchell, gore, legend, ricky wood, samuel feeney, sawney: flesh of man, scotland
Sawney, a religious psychopathic killer (played by David Hayman) drives a devilish Black Cab (taxi), stalking the towns and cities, abducting unholy souls for his communion of sacrifices. His insane family of inbred killers Judd and Jake, use their agility to wreak slaughter and havoc among their victims, who are then dragged to Sawney's lair in the hills, where they are raped, tortured and cannibalised. Sawney with his skillful surgical blade removes the appetizing pieces of human flesh for dinner before feeding the remains to a chained BEAST in the cellar. The Missing Persons list is beginning to rise! Investigative crime journalist Hamish MacDonald (Samuel Feeney) writes sensational and damming headlines against the police, due to their incompetence in handling the case. Frustrated police inspector Bill Munro (Gavin Mitchell) is under great pressure to catch the serial killers but is hindered by Hamish who is constantly giving him bad press. He decides to feed Hamish with human flesh!
Sawney ended up being one of the many mutated/mutilated family stories we already know and which have been done better. The Hills Have Eyes, Texas Chainsaw Massacre, and Wrong Turn. There is actually nothing really spectacular to be found here, the story is well pretty much a lot of talking, with more talking. Every character in the movie is explaining either why they do what they do, or explaining us what kind of relationship they have with one and other. But like I said most you have seen before: The daddy is a firm believer in enthusiastic cannibalism, he has a pair of mutated sons who seem to know all the ways in the forest, and there's a feral dwarf and a mysterious-yet-plainly massive "mama" that resides behind closed doors. Basically it's a good thing that Sawney Bean is pure fiction, because the Woods go a little crazy with all the slicing and dicing and flesh-chomping lunacy.
On the contrary, all seems peace within and without, so far asDr. Wolff is concerned. Had he any inward sorrow, had hebeen borne down by its agony, had the accents of despair beenever on his lip, and its terror ever glancing from his eye, hewould have been a very different man. Nevertheless, the Dr.is the Wandering Jew, but in reality, and not in romance; hebecomes a Christian, marries a lady of title, and becomes aclergyman of the English Church. Nominally, he is not ofthe London Pulpit. He has a local habitation and a name,but he is of no p. 230place. He is of an unsettledrace. I have no doubt but that he preaches as much out ofhis own church as in it, and that he has as much right to beincluded in the London Pulpit as in any other. At this timehis voice is often heard in London. It really is surprisingthat the Bishop, or some admiring friend, such as Mr. HenryDrummond, has never given him a metropolitan charge, or built hima chapel somewhere in the vicinity of the Clapham sect. Onewould have thought he would have done as well, at any rate, asMr. Ridley Herschell, than whom he is a great deal moreinteresting, and not half so heavy. What is the Society forPromoting Christianity among the Jews about? What is ExeterHall thinking of? Is Dr. Wolff too fat for sentiment? Must female youthful piety lavish its tenderness on a youngerman? Does a converted Jew cease to be interesting, the sameas common Evangelical curates, when their hair gets grey or theirheads bald? Must a converted Jew, too, lose his charms ashe gains flesh, as any ordinary Adonis of pious tea-tables? Alas! alas! I fear these questions are to be answered inthe affirmative. Woman is woman everywhere,
Your correspondent James Graves seems to consider cooking in a skull impossible. I certainly have never tried it, nor do I wish to express an opinion as to the taste of the Irish or their invaders, A.D. 1315, though methinks those who relished the "flesh" need not have demurred to the pot. But as to the possibility, in Ewbank on Hydraulic Machines, book i. cap. 3., I find the following mention of 041b061a72